You can find the series here.
Archive | Project RSS feed for this section
Most of the human sounds that we hear have evolved as communication signals that transfer useful information from one individual to others of the same cultural group. Some sounds, such as the alarm calls made when a person swoops at a predator, have obvious effects on other animals as well. They irritate the predator, and, at the same time, attract other kinds of humans that join in the effort to drive the predator away. Curd Majesty comes from the banks of the Green River bringing with them the sweet melodies and essential anti-predator noises.
You can find field recordings on SoundCould.
presented by Necessary Fiction
As writer in Residence at Necessary Fiction for the entire month of August 2010, Matt Briggs posted a new piece of fiction every day (more or less). He published the entire new edition of his first book, a novel in linked stories, The Remains of River Names, as well as a five part colloboration with Brooklyn artist, Taibi Mastelse.
November 18th 2008
presented by Final State Press
An audio visual duel to the death between a hippie and a business man.
On November 18th, 2008 at 7:30 PM at the Jewel Box Theater in Belltown (free of charge), Matt Briggs and Doug Nufer presented their “roadmap” for the future of the community writing organization Richard Hugo House. Neither is affiliated with the organization. And neither are you. Present your own vision of the future at powerpointoff.blogspot.com or come to the party to heckle, cheer, and consider: is a community writing center a halfway house or school?
The Roethke Readings, a new event inspired by the early 20th-century nightclub, Cabaret Voltaire. The readings took place after First Class on August 9, 16 and 23 at 9:00 p.m., and on August 3, 4, 11, 18 and 25 at 9:30 p.m. From Roethke-inspired compositions by Ken Benshoof, former UW faculty member and Kronos Quartet composer, to new poetry from Kary Wayson, Rebecca Hoogs, Jennifer Borges Foster, J. W. Marshall, Joshua Marie Wilkinson, Vis-á-Vis Society and others, to prose by Rebecca Brown, Matt Briggs, Jonathan Crimmins and Trisha Ready, the cabaret will be an exuberant celebration of Roethke’s literary legacy.
Celebrating Stranger Genius Award Winners 2003-2006
November 2 – December 14, 2006
presented by ArtPatch and The Henry Gallery
After hosting the 4th Annual Stranger Genius Awards Ceremony, Saturday, October 21 in the galleries, ArtPatch and the Henry Art Gallery present a survey of past and present Genius Award recipients. This exhibition recognizes the award’s role in celebrating artists working in Seattle, and their numerous contributions to our creative community. This year’s awardees—Annie Han and Daniel Mihalyo (collectively known as Lead Pencil Studio) for visual art; On the Boards for organization; Jonathan Raban for writing; James Longley for film, and scenic designer Jennifer Zeyl for theater, join past “geniuses,” including visual artists Victoria Haven, Susan Robb, and SuttonBeresCuller, writers Rebecca Brown, Matt Briggs, and John Olson, performers Gabriel Barron, Sarah Rudinoff, and Chris Jeffries, filmmakers Web Crowell, David Russo, and Michael Seiwerath, and organizations Vital 5, Velocity Dance Center, Seattle School, and The Frye Art Museum. ArtPatch and the Henry present Take the Cake with the curatorial expertise of Sara Krajewski (Henry Art Gallery: Visual Arts), Lane Czaplinski (On the Boards: Theater), Peter Lucas (Northwest Film Forum, Cinema Seattle: Film), Eric Fredericksen (Western Bridge: Organizations), and Matthew Stadler (Clear Cut Press, Nest Magazine, Public Speakers, The Back Room: Literature).
Trapdoor 62: The Dream Interpretation Panel
October 2, 2005, July 22, 2006, and September 4, 2006
Using only words, an Indian harmonium, and a sonabulist, a panel of writers and musicians interpreted the meanings of the audience’s dreams. All attendees received a dream to be interpreted at the door, or could use their own dream. The ongoing presentation experienced periodic disruptions and outbursts. The 2006 shows were performed by Denis Johnson (pictured), Stacey Levine, Matt Briggs, Garrett Fisher, David Stutz, Anna Maria Hong, Amy Schrader, Maggie Santolla, Erik Benson, and Shannon Borg. Jeannette Allée moderated.
Presented by Clear Cut Press and Western Front
On April 2nd, more than 300 writers, readers and producers of independent literature gathered in the space of unassociation during the day to read, listen, talk, bounce on the inflatable bouncy, drink and eat yummy toasties. The organizers of the dance party had no idea how many people would arrive to experience the pleasures of unassociation. The event was not addressed by the regional media. In fact, Terminal City, the alternative weekly in Vancouver running opposite the older and more staid weekly, The George Straight, was going to run some preview manifestos/articles (to be posted here shortly) on the conference. But rather than run them, the overseers of Terminal City axed the entire book section and replaced it with a two-page spread about strap-ons. Perhaps not a bad thing, but still, an indication of the difficulty of classifying the work and play that would take place on April 2nd.
Contemporary Music, Literature, and Art from the Oregon Territory
Presented by Richard Hugo House, 4 Culture, and Allen Foundation For the Arts.
In the spring of 2005, I presented a series of performances addressing the idea of utopia as reflected in Northwest Art. In March, writer Rebecca Brown collaborated with visual artist Nancy Kiefer to look at the Northwest Mystic Painters. In April, the series looked at the communal experiments of the 1960s with a utopian demonstration and reading by former Seattleites Novella Carpenter (a survivor of an Idaho hippie childhood) and Raymond Mungo, whose memoir, Total Loss Farm was described recently in The New York Times as “the best, and surely the woolliest, book written about that era’s communal living and back-to-the-land movements.” In May, Rich Jensen a writer and musician who has been involved in a number of utopian enterprises, collaborated with Phil Elverum, a musician from Anacortes who has recorded music as The Microphones and Mount Eerie.
Writers on Work
Presented by Richard Hugo House
Writers on Work celebrated labor vital to the life of Seattle. Poet Lyn Coffin translated the voices YMCA case reports, performance artist Stokley Towles road in a North Precinct squad car & fabulist Bret Fetzer listened to an ambulance siren. Three jobs: Social Work, Police Work, Emergency Medical Response. Three nights. Writers on Work reading teamed professional writers with community members whose jobs are integral to the operation and function of our city. The series provided a connection between practicing writers and professionals and looked to ways that Hugo House, as a community resource center, could be used and be of use to anyone. Each writer-worker pair created a reflective nonfiction piece about work performed in the Hugo House Cabaret.